/page/4

(Source: crestas, via hi)

meinkampfysweater:

I think my dash just did the most beautiful thing it’s ever done

meinkampfysweater:

I think my dash just did the most beautiful thing it’s ever done

(via betthearm)

entropielunaire:

The Library of the Royal Site of San Lorenzo de El Escorial, Spain, which is listed as a World Heritage Site. Photography by cuellar Flickr.com

entropielunaire:

The Library of the Royal Site of San Lorenzo de El Escorial, Spain, which is listed as a World Heritage Site. Photography by cuellar Flickr.com

(Source: harrisonmania, via bookporn)

boxsetsxbrevkdowns:

Straight iced a motherfucker.

(Source: aisforarthur, via party-wok)

RTD Era Companion Alphabet (inspired by x)

(Source: androsetyler, via doctorwho)

derpycats:

He is so hilarious… stop, he saw us!

(via lucifurfluffypants)

If we tried really hard to come up with something critical to say about the show as a whole, it’s that it sometimes veers a little close to beatifying its characters, as if every single inmate at Litchfield was either the victim of someone else’s evil or just a person who made a bad decision or wrong turn somewhere. It’s a good thing for the show to pull back a little from the broadness that defines its style and remind us that prison is also – and many would say “mainly” – a place to send people who are dangerous and sometimes even psychotic. There’s no better way to shock us into remembering this fact than by using a character like Lorna to illustrate it. Yes, it was one of those classic “Everything you THOUGHT you knew is a lie!” twists, but it was executed so perfectly that it made us wish we were watching a network or cable show in real time, just so we could get on twitter and gasp along with everyone else.

We thought it was pretty much a given that Christopher was not going to marry Lorna and assumed it was because he’d long since moved on. Anyone watching the show could see that her constant wedding planning was a total pipe dream and that she was just deluding herself in order to get through her sentence. But to find out that Lorna’s delusions are much stronger and go much further back than prison? To find out the extent to which she harrassed and threatened Christopher and his real fiancee, to the point of it being legitimately scary? That was a genuine “Whoa” moment. And yet, our hearts still break for her, even after the reveal that she planted a bomb under Christopher’s car. That’s a testament to the writing and to Yael Stone’s fragile, high-strung performance. The scene in Christopher’s house went from tense to full on batshit crazy slowly, letting you come to terms with the idea that Lorna is quite a different person than you thought. By the time she’s naked in the tub with a wedding veil on, you’ve got your face in your hands, begging her to get out of there; pleading with her not to get caught, even as you recognize that what she’s doing is very, very wrong. It was some of the best directing and acting the show has ever put together, making for one of the most talked-about sequences of the second season. A sharp, poignant turn that reminded us just when we needed the reminder of how much this show can be a knife to your heart.

lanashiftdelrey:

coming out of your room at 3 am and seeing your parents

image

(via cheetahgirl69420)

"I don’t shave for Sherlock Holmes."

(Source: fideliant, via extraordinaryfearlessness)

(Source: crestas, via hi)

meinkampfysweater:

I think my dash just did the most beautiful thing it’s ever done

meinkampfysweater:

I think my dash just did the most beautiful thing it’s ever done

(via betthearm)

entropielunaire:

The Library of the Royal Site of San Lorenzo de El Escorial, Spain, which is listed as a World Heritage Site. Photography by cuellar Flickr.com

entropielunaire:

The Library of the Royal Site of San Lorenzo de El Escorial, Spain, which is listed as a World Heritage Site. Photography by cuellar Flickr.com

(Source: harrisonmania, via bookporn)

roserunswild:

The best… ❤️

roserunswild:

The best… ❤️

boxsetsxbrevkdowns:

Straight iced a motherfucker.

(Source: aisforarthur, via party-wok)

RTD Era Companion Alphabet (inspired by x)

(Source: androsetyler, via doctorwho)

derpycats:

He is so hilarious… stop, he saw us!

(via lucifurfluffypants)

(Source: kickass-pics, via hi)

If we tried really hard to come up with something critical to say about the show as a whole, it’s that it sometimes veers a little close to beatifying its characters, as if every single inmate at Litchfield was either the victim of someone else’s evil or just a person who made a bad decision or wrong turn somewhere. It’s a good thing for the show to pull back a little from the broadness that defines its style and remind us that prison is also – and many would say “mainly” – a place to send people who are dangerous and sometimes even psychotic. There’s no better way to shock us into remembering this fact than by using a character like Lorna to illustrate it. Yes, it was one of those classic “Everything you THOUGHT you knew is a lie!” twists, but it was executed so perfectly that it made us wish we were watching a network or cable show in real time, just so we could get on twitter and gasp along with everyone else.

We thought it was pretty much a given that Christopher was not going to marry Lorna and assumed it was because he’d long since moved on. Anyone watching the show could see that her constant wedding planning was a total pipe dream and that she was just deluding herself in order to get through her sentence. But to find out that Lorna’s delusions are much stronger and go much further back than prison? To find out the extent to which she harrassed and threatened Christopher and his real fiancee, to the point of it being legitimately scary? That was a genuine “Whoa” moment. And yet, our hearts still break for her, even after the reveal that she planted a bomb under Christopher’s car. That’s a testament to the writing and to Yael Stone’s fragile, high-strung performance. The scene in Christopher’s house went from tense to full on batshit crazy slowly, letting you come to terms with the idea that Lorna is quite a different person than you thought. By the time she’s naked in the tub with a wedding veil on, you’ve got your face in your hands, begging her to get out of there; pleading with her not to get caught, even as you recognize that what she’s doing is very, very wrong. It was some of the best directing and acting the show has ever put together, making for one of the most talked-about sequences of the second season. A sharp, poignant turn that reminded us just when we needed the reminder of how much this show can be a knife to your heart.

lanashiftdelrey:

coming out of your room at 3 am and seeing your parents

image

(via cheetahgirl69420)

(Source: supremecute, via hi)

"I don’t shave for Sherlock Holmes."

(Source: fideliant, via extraordinaryfearlessness)

"

If we tried really hard to come up with something critical to say about the show as a whole, it’s that it sometimes veers a little close to beatifying its characters, as if every single inmate at Litchfield was either the victim of someone else’s evil or just a person who made a bad decision or wrong turn somewhere. It’s a good thing for the show to pull back a little from the broadness that defines its style and remind us that prison is also – and many would say “mainly” – a place to send people who are dangerous and sometimes even psychotic. There’s no better way to shock us into remembering this fact than by using a character like Lorna to illustrate it. Yes, it was one of those classic “Everything you THOUGHT you knew is a lie!” twists, but it was executed so perfectly that it made us wish we were watching a network or cable show in real time, just so we could get on twitter and gasp along with everyone else.

We thought it was pretty much a given that Christopher was not going to marry Lorna and assumed it was because he’d long since moved on. Anyone watching the show could see that her constant wedding planning was a total pipe dream and that she was just deluding herself in order to get through her sentence. But to find out that Lorna’s delusions are much stronger and go much further back than prison? To find out the extent to which she harrassed and threatened Christopher and his real fiancee, to the point of it being legitimately scary? That was a genuine “Whoa” moment. And yet, our hearts still break for her, even after the reveal that she planted a bomb under Christopher’s car. That’s a testament to the writing and to Yael Stone’s fragile, high-strung performance. The scene in Christopher’s house went from tense to full on batshit crazy slowly, letting you come to terms with the idea that Lorna is quite a different person than you thought. By the time she’s naked in the tub with a wedding veil on, you’ve got your face in your hands, begging her to get out of there; pleading with her not to get caught, even as you recognize that what she’s doing is very, very wrong. It was some of the best directing and acting the show has ever put together, making for one of the most talked-about sequences of the second season. A sharp, poignant turn that reminded us just when we needed the reminder of how much this show can be a knife to your heart.

"

About:

I read. I write. I spend all together too much time on the internet. I talk incessantly about books, TV and movies. I have written for Hello Giggles, Huffington Post, The Mary Sue, Buzzfeed, and tweet frequently as Bookoisseur. I also have a blog at Bookoisseur Writes.

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